Monday 30 July 2012

Week 2 - Post Modernism

1. Define Post-Modernism using 8-10 bullet points that include short quotes.

  • Reflexivity - 'The post-modern artist is "reflexive" in that he/she is self-aware and consciously involved in a process of thinking about him/herself and society in a deconstructive manner, "demasking" pretensions, becoming aware of his/her cultural self in history, and accelerating the process of self-consciousness.' Witcombe, C (2000)
  • Relativist thinking - 'Postmodernism is associated with relativism. Relativism is the idea that "anything goes". Saugstad, A (2001)
  • Rejection of modernist thinking - 'The seemingly anti-modern stance involves a basic rejection of the tenets of Modernism; that is to say, a rejection of the doctrine of the supremacy of reason, the notion of truth, the belief in the perfectability of man, and the idea that we could create a better, if not perfect, society.' Witcombe, C (2000)
  • Non-universalist thinking - 'The postmodern is deliberately elusive as a concept, avoiding and much as possible the modernist desire to classify and thereby delimit, bound, and confine. Postmodernism partakes of uncertainty, insecurity, doubt, and accepts ambiguity. Witcombe, C (2000)
  • Pluralism - 'Let me first say that I believe postmodernism represents an important virtue. This virtue is pluralism.' Saugstad, A (2001)
  • Irony -  'Deconstructive postmodernism is seen perhaps as anti-modern in that it seems to destroy or eliminate the ingredients that re believed necessary for a worldview, such as God, self, purpose, meaning, a real world, and truth. (This point of view, though, that we need a worldview comprised of notions of God, self, purpose, etc, is itself a modernist one.)' Witcombe, C (2000)
  • Deconstructivism - 'Deconstructive postmodernism is seen perhaps as anti-modern in that it seems to destroy or eliminate the ingredients that re believed necessary for a worldview, such as God, self, purpose, meaning, a real world, and truth.' Witcombe, C (2000)
  • Linguistic idealism - 'Reality does not determine language, language determines reality.” This position may be called linguistic idealism, a radical and quite bizarre idea that language constructs reality.' Saugstad, A (2001)

2. Use a quote by Witcombe (2000) to define the Post-Modern artist.(page 24)
'The post-modern artist is "reflexive" in that he/she is self-aware and consciously involved in a process of thinking about him/herself and society in a deconstructive manner, "demasking" pretensions, becoming aware of his/her cultural self in history, and accelerating the process of self-consciousness.' 

3. Use the table on pages 47 and 48 in your ALVC handbook to summarize the list of the features of Post-Modernity.
Postmodernism encompasses many different types of ideas and beliefs that may be different. The main value is that not  one idea or belief is wrong. Anything can be considered 'art' without anyone else having to agree to what art actually is. It throws away the concepts of modernism and explores the idea that anything is possible.

Use this summary to answer the next two questions.

4. Research Chinese artist Ai Weiwei's 'Han Dynasty Urn with Coca-Cola logo'(1994)
in order to say what features of the work could be considered Post-Modern.
Weiwei's art has aspects of post-modernism because he takes old Han Dynasty urns which would be an interesting artifact by themselves but by putting a Coca-Cola logo on it, the urn has an entirely different meaning. 'Through his work Ai addresses issues pertinent to contemporary China; notably the loss of historic material culture due to rapid modernization and the effects of the global economy on traditional modes of production.' (artlyst.com, 2011)
'Han Dynasty Urn with Coca-Cola logo'(1994)


6. Research British artist Banksy's street art, and analyze the following two works by the artist
to discuss how each work can be defined at Post-Modern.(Use your list from question 3.)
Banksy has postmodern aspects in his art because his work is very ironic. He creates street art with a message. His stencil of 'Flower Riot'' creates a powerful message about riots and love. Flowers are a gift someone gives a loved one and to put it into the hands of a possible rioter who looks very violent makes the audience think. Banksy's other work 'Los Angeles' places the typical caveman with fast food of today. I think he is taking a dig at how lazy we have become with food and how excessive. Especially when compared with the cavemen of our past. Cavemen used to hunt or gather their food everyday, whereas in todays society all we have to do is get in our cars and go through the drive-thru.
Flower Riot

Los Angeles (2008)


http://www.artlyst.com/articles/ai-weiwei-takes-on-coca-cola-in-new-london-exhibition

Sunday 29 July 2012

Week 1 - Nathalie Djurberg


1. What do you understand by the word 'claymation'?
The word 'claymation' refers to animation made using clay. This is also called 'stop motion'. "Each frame, or still picture, is recorded on film or digital media and then played back in rapid succession." (wikipedia)

2. What is meant by the term 'surrealistic Garden of Eden'? and 'all that is natural goes awry'?
'Garden of Eden' is a term that refers to God's garden where the first man and woman were created. It was seen as a kind of oasis or paradise. A surrealistic garden of eden would suggest that it is a warped or surreal paradise that Nathalie creates. Surrealism in definition is surprising or unexpected, which is exactly what Djurberg's claymation is. I think the term 'all that is natural goes awry' means that nature takes an unexpected course or path. This could refer to anything and everything because something that is 'natural' is a very broad word.

3. What are the 'complexity of emotions' that Djurberg confronts us with?
I think her work is summed up best by the guardian article that says 'Nathalie Djurberg's claymation films are sweet, depraved things that can shock, amuse and confound in equal measure.' I think when most people think about claymation they instantly think about children's cartoons they used to watch. This immediately presents a contradiction when viewing Djurberg's work, such as Turn into me, 2008 as some of the themes in her claymation can be very graphic or startling.


4. How does Djurberg play with the ideas of children's stories, and innocence in some of her work?
Like I mentioned in question 3, Djurberg plays with the idea of children's cartoons being in claymation and how traditionally it hasn't really been seen as an artform. The fact that Djurberg mashes together the innocence of claymation and adult themes like violence makes her works very interesting and confronting. 

5. There is a current fascination by some designers with turning the innocent and sweet into something disturbing. Why do you think this has come about?
I think this so the artist can create something shocking. In our society juxtaposing innocence and violence or something disturbing is seen as something very wrong. It might also be so the artist can cause a reaction from the audience. There is no better way of creating reaction in someone than to shock it out of them.

6. In your opinion, why do you think Djurberg's work is so interesting that it was chosen for the Venice Biennale?
I think because her work is so interesting in it's way that it uses a 'childish' media to convey ideas and scenes that shock the audience and really inspire people to create their own opinions on these issues.

7. Add some of your own personal comments on her work.
 
I really enjoy Djurberg's work and how confronting it can be. I also found it interesting how grotesque and disturbing she could make something like claymation into.

http://en.wikipedia.org/wiki/Clay_animation
http://www.guardian.co.uk/artanddesign/2011/aug/25/artist-nathalie-djurberg
http://www.modernamuseet.se/en/Stockholm/Exhibitions/2008/Eclipse---Art-in-a-Dark-Age/Artists-biograhpies/Nathalie-Djurberg/
http://we-make-money-not-art.com/archives/2009/10/nathalie-djurberg-who-won-the.php